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Top budget telephoto lenses for Nikon crop sensor cameras?

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[#4351]
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so many versions of these its driving me nuts. im torn between the AF-P 70-300mm DX and the old 55-200mm VR II. my logic was the 70-300 has better reach for my kids soccer game next Sat but my budgets super tight... is the extra money for the 300 actually worth it?


15 Answers
12

Honestly, i would suggest you go for the Nikon AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR if you can squeeze the budget just a bit more. its basically the gold standard for budget sports photography on those crop bodies. i used the older Nikon AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II for a few seasons and it honestly felt a bit short for soccer. heres a few things you might want to consider before you buy:

  • focus speed is the biggest deal here. that af-p motor is way faster than the old af-s tech. if the kids are running toward you the 200mm might struggle to keep up whereas the 300mm just snaps into place instantly.
  • reach matters more than you think. 200mm is okay if they are right in front of you but once they move to the other side of the field you are gonna be cropping your photos like crazy.
  • you gotta be careful with compatibility tho. the af-p lenses only work on newer bodies like the d3300, d5300, or d7100 and newer. if you have a really old body it might not even be able to focus the lens at all.
  • make sure to get the vr version! there is a cheaper non-vr version of the 70-300 but at that focal length you really need the stabilization or every shot will be blurry unless you use a tripod. feel free to ask if you arent sure about your camera model... i can look up the compatibility list for you if it helps. good luck at the soccer game!


12

Coming back to this, in my experience the AF-P motor is basically non-negotiable for sports. I've tried many lenses over the years and i always tell people to skip the Nikon AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II for soccer. It just isnt fast enough and the reach is disappointing. The Nikon AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR is a much safer bet. Focus is instant. Just make sure your camera is compatible with AF-P tech or it wont work at all.


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> is the extra money for the 300 actually worth it? Before you drop any cash, what specific camera body are you using? I say this because if you have an older DX body, it might not even support the full feature set of the AF-P lenses, like turning off VR through the menu. You might want to consider the Tamron 70-300mm f/4-5.6 Di LD Macro 1:2 for Nikon if the budget is really tight. It is often found used for under $150 and performs surprisingly well in daylight. Just be careful with the focus speed compared to the Nikon AF-P glass; it isn't nearly as fast for tracking moving subjects. If you decide to go for the Nikon AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR, double-check your firmware version first. It is honestly worth the investment for the motor alone if your camera can actually talk to it properly.


3

👆 this


3

Ok adding this to my list of things to try. Thanks for the tip!


3

Man I wish I found this thread sooner. Would have saved me so much hassle.


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> is the extra money for the 300 actually worth it? Building on the earlier suggestion, i would suggest being super careful. check the compatibility first. i once bought a lens that didnt focus right and it was a total waste of cash. it sounded like a steal on paper but ended up being a paperweight for my kids recital. honestly, just search youtube for 70-300 vs 55-200. i saw a great video there once. what camera body are you using tho?


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+1


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> is the extra money for the 300 actually worth it? Just catching up on this thread. To add to the point above: absolutely. In my experience, reliability is everything when you are shooting sports. Ive tried many setups over the years and there is nothing worse than your autofocus hunting right when your kid makes a play. That newer motor tech makes a huge difference in your keeper rate. If you can swing the extra cash, go for it... youll be much happier with the results and wont be stressing about missed shots.


1

What camera body are you actually mounting this on? I'm asking because it really changes how that autofocus is gonna act in the heat of the moment. I remember when I was just starting out, I bought a used zoom that had a loose barrel and I spent all night with a tiny screwdriver and some tape trying to DIY a fix just so I could shoot my cousins graduation. It was stressful but it worked lol. Honestly, just get any Nikon telephoto zoom meant for crop sensors and you'll be fine. You really cant go wrong with the official Nikon glass for these types of things. They're all decent enough options if you're just looking to get closer to the action without breaking the bank.


1

Ngl I was in this exact same spot a while back when I started shooting my nephews baseball games. I ended up biting the bullet and getting the Nikon AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR and honestly, its been one of my best purchases. I've had it for over two years now and I'm still super satisfied with how it performs. The extra reach really matters more than you think... trying to crop in from 200mm to get a clear shot of the goalie is just a headache and ruins the image quality. I've never had any complaints about the build or the focus speed, it just works every time. If you're worried about the money, maybe look for a refurbished one? I got mine that way and saved a chunk of change. Just make sure you get the VR version tho, holding it steady at 300mm without it is basically impossible if you dont have a tripod. I'm usually pretty stingy with my gear budget but I'm glad I didnt settle for the 200mm. Just make sure you have the Nikon FTZ II Mount Adapter to use it if you're on a Z body!


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honestly its ridiculous that we even have to debate this stuff. it drives me crazy how the prices for even basic telephoto glass have shot up while the build quality feels like it's actually getting worse. you want to shoot a simple soccer game and suddenly you're looking at spending hundreds just so your lens doesnt hunt for focus the whole time. it's such a scam that the entry level gear is often so crippled that you're basically forced to pay the premium just to get something that actually works for sports. companies really dont care about the budget shooter anymore... they just keep pushing people toward the expensive gear and it makes the whole hobby feel inaccessible if you arent loaded. anyway i totally feel your pain because looking at these price tags for what is essentially plastic and a couple glass elements is just frustrating as hell. i was thinking about this earlier today and honestly it feels like a losing battle for anyone on a tight budget trying to get decent performance.


1

Honestly, skip the 55-200mm. I tried using that lens for field sports years ago and it was a total disaster. The aperture range is just too slow to maintain a decent shutter speed when the clouds roll in, and you'll end up with a pile of blurry shots. I spent an entire Saturday at a tournament thinking I had the focus locked, but the motor was just too sluggish to track moving kids. It was a complete waste of a weekend. If you are on a tight budget, look into manual prime lenses if you have a steady hand. You can find some older glass that performs way better than those variable aperture zooms, though manual focusing on a fast-moving soccer ball is definitely a headache. Just be careful with buying used gear from auction sites; I once received a copy with internal fungus and had to deal with the hassle of a return. Save your sanity and avoid anything with a plastic mount if you plan on swapping lenses often.


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Had a moment to think about this while looking through some old gear bins today. Honestly, this whole debate is such a blast from the past! It totally reminds me of when my uncle tried to shoot his first local safari trip back in the day. He showed up with this massive, ancient manual focus prime lens that must have weighed ten pounds! He spent three days trekking through the heat only to realize he forgot the tripod collar, and then the rain started pouring down right in the middle of a lion sighting. It turned into a complete ordeal where he ended up duct-taping a rain cover made from a grocery bag to his camera body, which was hilarious but also super stressful. He missed every single shot because he was busy fighting with his equipment, but we still laugh about it at every family gathering now!


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