Like someone mentioned, sharpness is a rabbit hole. I'd be careful about jumping straight to the 24-70mm f/2.8 S because for landscapes you're usually...
In my experience, the Sigma 70mm f/2.8 DG Macro Art is the dark horse for an a6700 setup. I've tried many macro primes over the years, and this one is...
Like someone mentioned, sticking to f/4 zooms is the smart play. The NIKKOR Z 24-120mm f/4 S is basically the gold standard for travel on the Z6 III. ...
- If you want ONE lens: Sigma 28-70mm F2.8 DG DN Contemporary (L-Mount) (~$650–$850 used) — small-ish, quiet AF, constant f/2.8, solid for handheld ta...
Would love to know this too
For your situation, I’d honestly lean native L-mount unless you already own a DSLR macro. I’ve tried the “cheap adapter + old macro” route and unfortu...
Just catching up on this thread! To sum up what's been said: it seems like a toss-up between the incredible bokeh of the Sigma 56mm f/1.4 DC DN Contem...
I totally get the dilemma! I started with the same kit lens and felt that reach frustration immediately. Check out the Sigma 150-600mm f/5-6.3 DG DN...
In my experience, I've spent years hauling gear to dark event venues, and honestly, the Sony FE 24-70mm f/2.8 GM II is the king for video AF. It's not...