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Which prime lens is best for Nikon DSLR portrait photography?

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[#8500]
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Ive been shooting with my trusty Nikon D750 for years now and honestly, I thought I had my lens kit locked down. I usually rely on my 24-70mm f/2.8 for events, but lately Ive been doing way more portrait work for my sisters wedding photography business here in Seattle and the zoom just feels kinda sluggish, you know? I want that classic subject separation and the extra stop of light that only a prime can give me.

Im looking for something that fits these specific needs:

  • Budget is around 600 bucks tops, maybe 700 if its used but in great condition.
  • Needs to be sharp wide open, I dont wanna deal with too much softness at f/1.4 or f/1.8.
  • Something that handles chromatic aberration well because I hate fixing that in post.
  • Definitely looking for an FX lens since I want to keep full-frame.

Ive been eyeing the 85mm f/1.8G but then I hear people raving about the older 85mm f/1.4D or even third-party stuff like the Sigma Art series, which I hear is heavy as hell but sharp. Is the extra cash for the 1.4 really worth the weight and cost jump for portrait sessions, or should I just stick with the 1.8G? Really torn here...


3 Answers
12

TL;DR: The Sigma 85mm f/1.4 DG HSM Art is a beast for sharpness! Are you mostly shooting headshots or full-body portraits? That extra reach really changes the compression ratios!


11

> Is the extra cash for the 1.4 really worth the weight and cost jump for portrait sessions, or should I just stick with the 1.8G? Honestly, skip the old 1.4D. I owned it for years and it is way too soft wide open. Grab the Nikon AF-S NIKKOR 85mm f/1.8G. It is stupid sharp, light, and the autofocus is surprisingly snappy. You wont regret saving the cash, and your back will thank you during those long wedding shoots.


1

Adding my two cents after years of shooting events. Honestly, stick to the newer glass. The older stuff has way too much fringing for modern sensors.

  • Look into third-party manufacturers that specialize in prime glass. They usually beat the brand-name stuff for sharpness at half the price.
  • Dont sweat the f/1.4 label. Youll rarely use it wide open anyway because the depth of field becomes a headache.


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