> Im stressing hard about my lens setup. I shoot on an S5II and need something wide for landscapes but I cant decide if I should just grab the Lumi...
Honestly, I get your frustration. I started with that same kit lens and quickly realized it just doesnt cut it for wildlife or anything distant. You h...
Came here to say the same thing lol. Great minds think alike I guess.
If you want pure optical excellence, the Sony FE 24-70mm f/2.8 GM II is unmatched. Honestly, the resolution and chromatic aberration control are just ...
Honestly, just pick up the Fujifilm TCL-X100 II Teleconverter and you will be satisfied with the results. It converts your 23mm to a 33mm equivalent, ...
TL;DR: The Sigma 28-70mm f/2.8 DG DN Contemporary is the sweet spot for weight and performance, so just go for that and save yourself the headache. Ju...
> Is the constant f/4 really worth losing the 200mm reach or am I gonna regret it the second I land? Been thinking about your dilemma all afternoon...
To add to the point above: if you want something sharper and lighter than those massive zooms, you should look at the Sigma 17-50mm f/2.8 EX DC OS HSM...
Regarding what #2 said about studio space, grab the Sigma 56mm f/1.4 DC DN Contemporary instead. It is way more compact, razor sharp, and leaves plent...
Honestly, skip the third-party headache before a big trip. I tried saving money with a Viltrox before a trip to Kyoto and it unfortunately failed me r...
> The Sigma 24-70mm f/2.8 DG DN II Art is fantastic optics-wise, but honestly, carrying that weight for twelve hours a day is exhausting. Look at t...
> I have heard people talk about the Viltrox 75mm too but I am nervous about third party stuff failing on me during a gig. Just saw this thread and...