For Japan, the Sigma 24-70mm f/2.8 DG DN Art is technically better. Be careful with that Tamron tho, because variable apertures might mess up your exp...
Which camera body are you using? In my experience, the Sigma 105mm f/1.4 DG HSM Art L-Mount is the sharpest glass available, tho its pretty heavy for ...
To add to the point above: the Sony Alpha a7 III Mirrorless Camera is reliable for weddings and cheaper, while the Sony Alpha a6700 Mirrorless Camera ...
Checking back in on this and honestly, I've had issues with the 24-70mm f/4 kit in the past. It's just not as good as expected for the price, especial...
Like someone mentioned, the 50mm is solid for portraits, but for Chicago streets you probably want something wider. The Samyang 35mm f/2.8 AF Sony E i...
Regarding what #5 said about comparing the rendering between the Panasonic and Sigma options... i've been pretty let down by those lately too. Unfortu...
Unfortunately, those bundles use low-transmission glass that ruins resolution. I learned that the hard way during a gig. Legit deals dont really exist...
Nice, didn't know that
Just saw this and wow, the R7 is such a beast! Before you decide tho, are you mostly hunting for big grizzly bears or tiny songbirds at dawn? It reall...
Unfortunately the Canon RF 50mm f/1.8 STM is far too narrow for reception work. The Canon RF 35mm f/1.8 Macro IS STM is closer to your desired field b...
Saving this whole thread. So much good info here you guys are awesome.
Over the years, I've learned that Florida mornings are tough on gear. I once lost a sequence of a Snail Kite because my lens started hunting... just s...
Late to the party but this whole thread is đź’Ż. Glad I found it.
Fujifilm XF 18-55mm f/2.8-4 R LM OIS: Fantastic, stabilized, versatile. Sigma 18-50mm f/2.8 DC DN Contemporary: Amazing, fast f/2.8, sharp. Love the S...
Not to disagree, but id skip the “one fast prime as main” idea… for solo AF + handheld safety/reliability, a stabilized zoom wins. I’d grab Canon RF 2...