^ This. Also, GnomDeave is totally right about that 1,200 budget being a tricky spot for high-end wildlife glass. Performance is everything when the s...
Regarding what #6 said about the 30mm range being the sweet spot, I totally agree. Ive spent years shooting on Canon APS-C bodies and that 30-35mm ran...
You should definitely look at the third-party options if you want to save some cash. I went that route when I first started out and im so happy with h...
@Reply #8 - good point! Calling those smaller shops is seriously the best advice. If the wait is just too frustrating tho, i totally recommend looking...
Big if true
This^ Also wanted to add that since you're on a budget, you should really think about the "field of view" before pulling the trigger. Basically, a 23m...
Good to know!
+1 to the “linear motor feels snappy” point—on my S5 II the safest AF bets are Panasonic Lumix S PRO 24-70mm F2.8 and Sigma 24-70mm F2.8 DG DN II Art ...
Seconding the “small f/2.8 zoom” vibe from reply #1 — constant 2.8 is usually enough if you’re not allergic to ISO. - If you want a bit wider + still...
Seconding the standard zoom first (reply #1/#2) — it’s the “leave it on the body” lens and it keeps you from doing sketchy lens swaps on sidewalks/tra...
Good to know!
Ok so… i feel u. I went down this exact rabbit hole building my L-mount kit, shooting indoor hangouts + night streets where you’re basically stuck wid...
Saved for later, ty!
I tested Sigma glass, but it capped at 15fps. Go for the Sony FE 300mm f/2.8 GM OSS. It handles 120fps perfectly. Lesson: Only native Sony glass unloc...