Saw this post and figured Id chime in since I went through the same gear-head spiral when I got my X-T5. Honestly, that 40mp sensor is a beast, and yo...
Honestly, I went through this exact same panic when I swapped my 5D Mark IV for the R5. Spending weeks debating between the big f/2.8 and the f/4 vers...
Yep, this is the way
TL;DR: Buy the Fujifilm XC 35mm f2 Prime for the best value. Primes have fixed focal lengths, so they're technically sharper than zooms. Unfortunately...
@Reply #2 - good point! That field curvature is a total killer for prints. Save some cash and grab the Sony FE 50mm f/1.4 GM instead of the 1.2! Its a...
Like someone mentioned, weight and weather sealing are huge, especially if youre gonna be out in Seattle. It gets pretty drizzly there, so I would sug...
> Is the 85mm really that much better for the background blur Like someone mentioned, space is a factor, but honestly? Dont settle for the 50mm! I ...
To add to the point above: I totally get that overwhelmed feeling! I remember when I first switched from my phone to the 90D and felt like I'd made a ...
> I'm stuck between the Sigma 24-70mm f2.8 DG DN Art and the Lumix S Pro version. Honestly, I went with the Sigma 24-70mm f/2.8 DG DN Art L-Mount a...
^ This. Also, if you want to keep the kit compact and stay way under budget, consider these facts:The Fujifilm Fujinon XF 50mm f2 R WR provides great ...
+1 on Sony FE 35mm f/1.8 — imo it’s the safest “one lens” for a7C: reliable AF + fast for evenings. Lowkey also grab a cheap clear filter/hood so you’...
Bump - same question here
Seconding the Nikon S-line ultra-wide suggestion above. Honestly, sticking with Nikon’s higher-end Z glass is the least headache for corners + weather...
Story time: i tried Fujifilm XF 23mm f/1.4 R LM WR but it felt big + pricey used; Fujifilm XF 35mm f/1.4 R was gorgeous but had AF misses wide open; e...