Regarding what #1 said about "Honestly, for an X-Pro3, you really want the..." - i actually went a different way and im super happy with the Fujifilm ...
Building on the earlier suggestion, I'd actually be a bit cautious about sticking only to those shorter f/2.8 zooms. While they are awesome for low li...
> Regarding what #1 said about "The 32.5MP sensor on the 90D is a total lens-killer." I am in the exact same boat and it has been driving me crazy ...
> I checked the official Nikon refurb site and they've been out of stock for weeks. Check Nikon Z6 24.5MP Mirrorless Camera at MPB. Their six-month...
Disagreeing slightly, 24mm is vital. Over the years, Ive seen Sigma 24-70mm F2.8 DG DN II Art MTF charts beat everything. I used it in Kyoto; its $100...
Honestly I just went through this exact same struggle and finally landed on the Sigma 10-18mm f2.8 DC DN Contemporary for Fujifilm X. It is absolutely...
In my experience shooting cities like Tokyo, losing that 24mm really hurts. Ive tried many lenses over the years and the Sigma 24-70mm f/2.8 DG DN Art...
- **Watch out for the “85mm trap” early on:** it’s awesome for classic portraits, but indoors you’ll *constantly* be backing up into walls, and if you...
Seconding the “boring reliable” take on that small prime vibe. Not 100% sure it’s the lens alone, but I’ve noticed Fuji video AF freaks out more when ...
Ok so, been there… L-mount’s kinda weak on true pancakes. I’d suggest sticking with small manual-focus third-party glass, but be careful: check distor...
TL;DR from this thread: everyone’s basically saying “yeah, it’s worth it” *because you’re already feeling the 70mm ceiling*, and the only real debate ...
Ok so… afaik there aren’t really any true “pancake” native AF options in L-mount in that 24–40mm FF range. Most of the “compact” L primes are still li...
- For your situation, yeah, a 70-200 on L-mount is actually “worth it” imo. I’ve been on a Lumix S body for events/portraits and that 70–200 range is ...