Sigma 50-120mm F2.8 DC OS Contemporary Sample Images: Family Portraits, Marsh Flowers and Low-Light Shots

Water lilies on a dark pond, Sigma 50-120mm F2.8 sample
Floating leaves on dark water. 50mm, F2.8, 1/750 s, ISO 200, Canon EOS R7. Naoki Miyashita

Sigma has published two sets of sample photos for the 50-120mm F2.8 DC OS | Contemporary (Check Price at Amazon/B&H Photo Video) in its “Shooting with Sigma” series. A family session by Garderes & Dohmen was shot on a Sony α6600. Naoki Miyashita photographed the Ozegahara marshes and a mountain hut on a Canon EOS R7. Sigma lists the camera, aperture, shutter speed, ISO and focal length for each image, and the captions below use that data.

Family session on the Sony α6600

Nearly every frame in this set was taken at F2.8, and the photographers say they liked the constant F2.8 for isolating expressions while keeping the shutter fast enough for children. They also liked being able to go from tighter portraits to wider scenes without changing lenses.

Girl walking down steps with arms raised, Sigma 50-120mm F2.8 sample
Girl on steps. 50mm, F2.8, 1/1000 s, ISO 160, Sony α6600. Garderes & Dohmen
Two children sitting by a doorway, Sigma 50-120mm F2.8 sample
Two children at a doorway, from a distance. 120mm, F2.8, 1/250 s, ISO 160, Sony α6600. Garderes & Dohmen
Girl on a playground swing, Sigma 50-120mm F2.8 sample
Girl on a swing. 92.5mm, F2.8, 1/250 s, ISO 160, Sony α6600. Garderes & Dohmen
Man and child sitting together on a ledge, Sigma 50-120mm F2.8 sample
Man and child. 104.6mm, F2.8, 1/500 s, ISO 160, Sony α6600. Garderes & Dohmen
Arched stone opening framing a view of mountains, Sigma 50-120mm sample
A stopped-down frame. 50mm, F14, 1/160 s, ISO 160, Sony α6600. Garderes & Dohmen

Marsh, flowers and a mountain hut on the Canon EOS R7

Miyashita’s set uses F2.8 for most of it, from 50mm to 120mm, with several flower and grass close-ups at the long end.

Green marsh with a small pond below mountains, Sigma 50-120mm F2.8 sample
Marsh and mountains. 63mm, F2.8, 1/500 s, ISO 200, Canon EOS R7. Naoki Miyashita
White flower cluster against a dark green background, Sigma 50-120mm F2.8 sample
White flowers. 120mm, F2.8, 1/750 s, ISO 200, Canon EOS R7. Naoki Miyashita
Small orange subject among tall green grass, Sigma 50-120mm F2.8 sample
Orange against tall grass. 120mm, F2.8, 1/3000 s, ISO 200, Canon EOS R7. Naoki Miyashita

Low light

The indoor frames in Miyashita’s set are at F2.8 with 1/60 s shutter speeds, at ISO 800 and ISO 3200. The lens has optical stabilization, which helps with such shutter speeds at the 50mm end, though Sigma does not say whether it was switched on.

Woman in a headscarf in a warm kitchen, Sigma 50-120mm F2.8 low-light sample
Indoors, low light. 50mm, F2.8, 1/60 s, ISO 3200, Canon EOS R7. Naoki Miyashita
Cup of tea and a slice of cake on a tray, Sigma 50-120mm F2.8 sample
Tea and cake. 50mm, F2.8, 1/60 s, ISO 800, Canon EOS R7. Naoki Miyashita
Tree and hills at dusk, Sigma 50-120mm sample
Dusk landscape. 50mm, F8, 1/45 s, ISO 6400, Canon EOS R7. Naoki Miyashita

What to make of them

  • These are sets published by Sigma, and they are likely graded by the photographers. The colors and grading are theirs, so they say little about the lens’s default color.
  • Both sets mostly sit at F2.8, which is the point of the lens, but they rarely show the corners or a test chart. For that, Digital Camera World shot the Sony E version on an α6000 with EXIF listed under each image. The reviewer calls sharpness excellent across the zoom range and frame, and the bokeh smooth, with 11 aperture blades. Its lab chart numbers show very good center sharpness at F2.8 and weaker extreme edges, which the reviewer says did not show up in real-world shooting. He also points out audible aperture ring clicks, which matter for video.
  • DPReview has a sample gallery with downloadable RAW files, including close-focus examples and aperture comparisons, if you want to judge for yourself.

The lens costs $799 and weighs 390 g, as we reported when it was announced. Images: Sigma, credited to Garderes & Dohmen and Naoki Miyashita. Source: Sigma (1) (2).

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